Over the past 20 years, Mulvey has pursued a restless, eclectic path as a writer and musician – immersing himself in Tin PanAlley jazz, modern acoustic, poetry, narrative, and Americana stylings. Relentlessly touring as a headliner – his attitude is, “When you love what you do, you can work all the time,” – he has also shared the stage with luminaries such as Emmylou Harris, Richard Thompson, Ani diFranco, Indigo Girls, and Greg Brown, and has attracted an audience that stretches from Anchorage to Amsterdam.
Peter Mulvey began as a
self-described “city kid” from Milwaukee, Wisconsin. He played, wrote,
and sang in bands while studying theatre there, and then traveled to
Dublin, Ireland, in 1989, where he learned the trade of the street
singer. Returning to the States, he relocated to Boston with two
self-released CDs in hand: Brother Rabbit Speaks (1992) and Rain (1994).
In Boston he took to playing in the subways as a full-time occupation.
The seven hour sessions playing to passers-by and commuters not only
strengthened his accomplished guitar playing but also sharpened his
innate gifts as a communicator. In a few short years he had made the
transition to touring songwriter. He signed with indie upstart Eastern
Front Records, released Rapture (1995) and Deep Blue (1997), and threw
himself into a life on the road. He quickly released Glencree (1998), a
recorded live in Ireland.
The road years further seasoned his
abilities as a performer. Whether playing solo or with a band in tow,
Mulvey has a rare ability to hold an audience’s attention and transport
them, using wit, humor, and a subtle but sophisticated melodic and
harmonic sensibility to gracefully introduce complex and provocative
concepts and characters.
Having since resettled back in
Milwaukee, Peter has continued his touring life while making seven solo
records with Signature Sounds, the venerable singer/songwriter label in
western Massachusetts’ fertile musical Pioneer Valley. His sixth
release, The Trouble With Poets (2000), features the title track which
remains among his best-known songs. 2002 brought Ten Thousand Mornings, a
CD of cover songs recorded live on Boston’s Davis Square subway
platform. The name refers to the collective number of commuters’
mornings Peter hoped he was entertaining, or touching, in some way. His
albums have always maintained the spontaneity and edge of his live
performances, including his 2004 Kitchen Radio and 2006 CD, The
Knuckleball Suite, both of which were recorded in just a few days with a
band of sympathetic co-conspirators. He followed the ensemble vibe of
these records with Notes from Elsewhere (2007), which consists of solo
acoustic recordings of some of his most popular songs.
is another source for Peter’s continued growth. In 2003, he released
the trio album, Redbird, with fellow songwriters Kris Delmhorst and
Jeffrey Foucault. The album’s 17 songs range from jazz standards to old
country tunes to contemporary covers, all recorded in three days around
one microphone. Peter’s annual hometown holiday in-the-round gigs have
become an institution over nearly a decade. He can sit in with nearly
any musician or ensemble and improvise in the common language of music.
a complement to his touring and recording, Peter has also kept a hand
in education; teaching guitar and songwriting workshops across the
country. His songs and deep baritone voice have been heard in
documentary films, major television shows, and by dance and theater
companies. In 2004 Peter released a full-length DVD, On the Way,
featuring interview and concert footage.
For the past several
years Peter has done an annual Fall tour entirely by bicycle, partly for
environmental reasons and partly for the sheer fun of continuing his
creative, unorthodox approach to a long and fruitful career as an
In every aspect of his career, Mulvey draws on an
extremely broad swath of influence; he is always reading, listening, and
eager to hear new poetry, modern minimalist composers, old-time fiddle
tunes, Argentinean trip-hop, or top-shelf bar bands. Said The Irish
Times: “Peter Mulvey is consistently the most original and dynamic of
the US singer-songwriters to tour these shores. A phenomenal performer
with huge energy, a quick fire, quirky take on life, and an
extraordinary guitar style. A joy to see.”
Still, it is the live
performance that defines that work. Night after night, whether
performing solo, duo (with David “Goody” Goodrich), or sometimes even
with a band, Mulvey attempts to be the sum of his parts, to draw on all
the musical legacies he has studied, to make a fresh, vital moment out
of everything he and the audience have brought to the table that night.
“People need this. I need this. To come together in a room, to try to
make music come alive, for real, for right now, and then to let it
go…that is the whole deal for me."