Showing posts with label the impressions. Show all posts
Showing posts with label the impressions. Show all posts

Tuesday, December 17, 2013

BROOKLYN'S "GRAND CENTRAL" ON THE UNDERGROUND RAILROAD, PLYMOUTH CHURCH PERFECT SETTING FOR LET FREEDOM RING! A CONCERT TO BENEFIT FREE THE SLAVES JANUARY 11 FEATURING THE IMPRESSIONS, NAOMI SHELTON & THE GOSPEL QUEENS, MEMBERS OF THE DAP-KINGS

"The hymn of Temperance, of Human Rights and Freedom, of Peace, and of Benevolence will be found both numerous, energetic, and eminently Christian..."

- Henry Ward Beecher, The Plymouth Collection Of Hymns And Tunes For The Use Of Christian Congregations, Brooklyn, N.Y., August 10, 1855

Plymouth Church – "the Grand Central Depot" on the Underground Railroad – makes for an incredible setting for Let Freedom Ring! A Concert To Benefit Free the Slaves, January 11 featuring the Impressions, Naomi Shelton & The Gospel Queens, and members of The Dap-Kings. In this space in February 1963, Dr. Martin Luther King, Jr. preached a sermon on "The American Dream," echoed just months later in his famous "I Have a Dream" speech in Washington, D.C.

Oral tradition and several published memoirs tell us that slaves seeking passage to Canada may have hidden in the tunnel-like basement beneath the church sanctuary – still a part of the structure today.

From the earliest days of its founding in 1847 by anti-slavery Congregationalists, with Henry Ward Beecher as its first called minister, Plymouth served as a center of abolitionist activist and the most prominent ministry in the second half of 19th century America. Beecher was a master at creating public events to strengthen the fight against slavery. He staged mock "auctions" at Plymouth, urging the congregation to purchase the freedom of actual slaves. During one service, he trampled the chains that had bound John Brown. He invited famous anti-slavery advocates to speak at the Church, including William Lloyd Garrison, Sojourner Truth, Wendell Phillips, Charles Sumner, and Frederick Douglass.

Beecher understood the connection between music, faith, and Civil Rights – a connection that continues with Let Freedom Ring! With his brother, Charles Beecher, and Plymouth's organist, John Zundel, he compiled The Plymouth Collection Of Hymns And Tunes For The Use Of Christian Congregations, the world's first modern hymnal in which words and music were printed on the same page.

On the campaign trail in 1860, Abraham Lincoln attended services on two occasions, the first of which was the day before his famous Cooper-Union Address, a speech which is not only credited with launching his presidential campaign, but also for laying the groundwork for his public stance against slavery. His pew is presently marked with a plaque.

The National Register of Historic Places designated the church a National Historic Landmark in 1961.

As part of a weekend that will focus on the problem of historical and modern-day slavery, Plymouth, in partnership with Brooklyn Historical Society, will also be offering a panel discussion featuring anti-trafficking experts on January 10 at Brooklyn Historical Society, where the exhibit "Brooklyn Abolitionists: In Pursuit of Freedom" will open in early January.


For more information on Plymouth Church, please go here.



For tickets, please go here.

For information on the panel discussion at Brooklyn Historical Society, please go here.

Thursday, December 12, 2013

NAOMI SHELTON & THE GOSPEL QUEENS ADDED TO LET FREEDOM RING CONCERT FEATURING THE IMPRESSIONS AND MEMBERS OF THE DAP-KINGS JANUARY 11 AT PLYMOUTH CHURCH

Naomi Shelton and the Gospel Queens have been added to the Let Freedom Ring! concert January 11, which will take place at Plymouth Church. They join Rock & Roll Hall of Famers the Impressions and members of Brooklyn's own all-star group the Dap-Kings. NPR.org has said, "Naomi Shelton is gruff and she takes no guff."

Naomi Shelton is no ordinary gospel singer. Though she, like many others, grew up singing with her sisters in their Alabama church, she has also spent much of her life in the soul clubs around New York, and her 45s, "41st St. Breakdown" and "Wind Your Clock" b/w "Talking 'Bout a Good Thing," have long been revered and prized by funk DJs around the globe.

On January 11, 2014, Plymouth Church will present Let Freedom Ring!: A Concert to Benefit Free the Slaves. This major musical event will be held on National Human Trafficking Awareness Day. Funds raised will benefit the organization Free the Slaves, which is dedicated to ending slavery worldwide in our lifetime.

Monday, December 2, 2013

THE IMPRESSIONS, MEMBERS OF THE DAP-KINGS SING IN CELEBRATION OF CIVIL RIGHTS AT HISTORIC PLYMOUTH CHURCH FOR LET FREEDOM RING: A CONCERT TO BENEFIT FREE THE SLAVES

On January 11, 2014, Plymouth Church will present "Let Freedom Ring!: A Concert to Benefit Free the Slaves." This major musical event, held on National Human Trafficking Awareness Day, will feature The Impressions, members of the Dap-Kings, and other special guests. Funds raised will benefit the organization Free the Slaves, which is dedicated to ending slavery worldwide in our lifetime.

The Impressions will team up with Brooklyn's Binky Griptite and a group of musicians featuring members of the Dap-Kings and some very special guests. Many consider the music of Rock & Roll Hall of Famers The Impressions the soundtrack to the civil rights movement. They are 1998 Grammy Hall of Fame inductees for their hit "People Get Ready," which is ranked at #24 on the Rolling Stone list of The 500 Greatest Songs of All Time.

This is a rare chance to hear The Impressions' best known songs addressing and advancing the black freedom movement of the Sixties on the strength of indelible songs of striving and transcendence, such as "Keep on Pushing," "Amen", "We're a Winner" and "People Get Ready," all performed by the group's original members Fred Cash, Sam Gooden and Reggie Torian (who replaced former lead vocalist Curtis Mayfield in the early '70s), and backed by a mighty band.

As part of a weekend that will focus on the problem of historical and modern-day slavery, Plymouth, in partnership with Brooklyn Historical Society, will also be offering a panel discussion featuring anti-trafficking experts on January 10 at Brooklyn Historical Society, where the exhibit "Brooklyn Abolitionists: In Pursuit of Freedom" will open in early January.

Although Plymouth Church was not established until 1847, just fourteen years before the start of the Civil War, it later became known locally as "the Grand Central Depot" of the Underground Railroad. Plymouth Church is one of the few active Underground Railroad congregations in New York still housed in its original location. Minister and church founder Henry Ward Beecher was a prominent abolitionist who compiled a book of hymns and understood the power of music in faith and in politics.

Wednesday, November 13, 2013

Let Freedom Ring! performer photos

Left to right: Reggie Torian, Fred Cash, Sam Gooden

Naomi Shelton & The Gospel Queens

Free the Slaves logo

The Impressions bio

The Impressions originally formed in 1958 in Chicago. The group was founded as The Roosters by

Chattanooga, TN, natives Sam Gooden, Richard Brooks and Arthur Brooks, who moved to Chicago and

added Jerry Butler and Curtus Mayfield to their line-up to become Jerry Butler & the Impressions. By

1962, Butler and the Brookses had departed, and after switching to ABC-Paramount Records, Mayfield,

Gooden, and new Impression Fred Cash collectively became a top-selling soul act. Mayfield left the group

for a solo career in 1970; Leroy Hutson, Ralph Johnson, Reggie Torian, Sammy Fender and Nate Evans

were among the replacements who joined Gooden and Cash. Inductees into both the Rock and Roll Hall

of Fame and the Vocal Group Hall of Fame, The Impressions are best known for their 1960s string of hits,

many of which were heavily influenced by gospel music and served as inspirational anthems for the Civil

Righys Movement. They are also 1998 Grammy Hall of Fame inductees for their hit “People get ready”

and are winners of the Rhythm and Blues Foundation's Pioneer Award in 2000.

Jerry Butler and Curtis Mayfield met while singing in the same Chicago Church choir After singing in a

number of local gospel groups, the two of them joined a doo-wop group called "The Roosters" in 1957,

whose members included Chattanooga, TN, natives Sam Gooden, Richard Brooks and his brother

Arthur Brooks. By 1958, The Roosters had a new manager in Eddie Thomas, a record deal with Vee-Jay

Records, and a new name: Jerry Butler & the Impressions.

The group's first hit single was 1958's "For Your Precious Love", which hit #11 on the US pop charts and

#3 on the R&B charts. However, soon after the release of the R&B Top 30 hit "Come Back My Love",

Butler left the group to go on to a successful solo career. After briefly touring with the now-solo Butler

as his guitarist, Curtis Mayfield became the group's new lead singer and songwriter and Fred Cash, a

returning original Roosters member, was appointed as the new fifth member.

The Impressions got a new deal with ABC-Paramount Records in 1961, and released their first post-
Butler single. That single, "Gypsy Woman", was their biggest single to date, hitting #2 on the R&B charts

and #20 on the pop chart. Successive singles failed to match "Gypsy Woman’s” success, and Richard

and Arthur Brooks ended up leaving the group in 1962.

The Impressions continued as a trio, and soon aligned themselves with producer johnny Pate, who

helped to update their sound and create a more lush soul sound for the group. The result was “It's all

right,” a 1963 million-selling gold single that topped the R&B charts and made it to #4 on the pop charts,

and became one of the group's signature songs. “It's All Right” and "Gypsy Woman" were the anchors of

The Impressions' first LP, 1963's The Impressions.

1964 brought the first of Mayfield's black pride anthem compositions, “Keep on Pushing”, which became a

Top 10 smash on both the Billboard Pop and R&B charts, peaking at #10 Pop. It was the title cut from the

album of the same name, which also reached the Top 10 on both charts. Future Mayfield compositions

would feature an increasingly social and political awareness, including the following year's major hit and

the group's best-known song, the gospel-influenced “People get ready", which hit #3 on the R&B charts

In the mid-1960s, The Impressions, were compared with Motown acts such as The Temptations, The

Miracles and The Four Tops. After 1965's "Woman's Got Soul", and the #7 pop hit "Amen", The

Impressions failed to reach the R&B Top Ten for three more years, finally scoring in 1968 with the #9 "I

Loved and Lost". “We're a winner,” which hit #1 on the R&B charts that same year, represented a new

level of social awareness in Mayfield's music. Mayfield created his own label, Curtom, and moved The

Impressions to the label. Over the next two years, more Impressions message tracks, including the #1

R&B hit "Choice of Colors” (1969) and the #3 "Check Out Your Mind" (1970), became big hits for the

It should also be noted that 'The Impressions' were a huge influence on Bob Marley and The Wailers and

other ska/rocksteady groups in Jamaica: The Wailers modeled their singing/harmony style on them and in

part borrowed their look, too. There are many covers of Impressions songs by The Wailers,

including 'Keep On Moving', 'Long Long Winter' and 'Just Another Dance'. Pat Kelly covered 'Soulful

Love' and The Heptones covered 'I've Been Trying'. No doubt the social consciousness of Curtis

Mayfield's lyrics appealed as well as the spectacular harmonies.

After the release of the Check Out Your Mind LP in 1970, Mayfield left the group and began a successful

solo career, the highlight of which was writing and producing the “Super Fly” soundtrack. He continued to

write and produce for The Impressions, who remained on Curtom. Leroy Hutson was the first new lead

singer for the group following Mayfield's departure, but success eluded The Impressions, and Hutson left

New members Ralph Johnson and Reggie Torian replaced Hutson, and The Impressions had three R&B

Top 5 singles in 1974–1975: the #1 "Finally Got Myself Together (I'm a Changed Man)" (which also

reached the Pop top 20 ) , and the #3 singles "Same Thing it Took" and "Sooner or Later". In 1976, The

Impressions left Curtom and Mayfield behind for Cotillion Records and had their final major hit

The Impressions were inducted into the Rock And Roll Hall of Fame in 1991, and into the Vocal Group

Hall of Fame in 2003. The members who got to take part in this honor, as Rock and Roll Hall of Fame

inductees, were Sam Gooden, Jerry Butler, Richard Brooks, Curtis Mayfield, Arthur Brooks, and Fred

In 2008, Universal Music & Hip O Records released Movin' On Up - the first-ever video compilation of The

Impressions, featuring brand new interviews with original Impressions members Sam Gooden and Fred

Cash, along with taped interviews with the late Curtis Mayfield and video performances of the group's

greatest hits and several of Mayfield's solo hits.

The group's first million-selling hit song "For Your Precious Love" is ranked #327 on the Rollin Stone

magazine's list of The 500 Greatest Songs of all Time,and their hit People Get Ready is ranked #24 on

that same list. The latter song has also been chosen as one of the Top 10 Best Songs Of All Time by a

panel of 20 top industry songwriters and producers, including Paul McCartney, Brian Wilson and others,

as reported to Britain's Mojo music magazine.

Today's Impressions consist of Fred Cash, Sam Gooden and Reggie Torian. In 2011, English fans

celebrated the first ever public shows by the Impressions in Manchester and London, backed by the

Curtom Orchestra. That same year, the Impressions also performed at the official concert for the

dedication of the Martin Luther King Jr. Memorial in Washington, D.C.

The Impressions returned to the UK in 2012 and performed in Madrid, Spain, at the Black is Back Festival.

In July 2013, they released their first single in more than 30 years, the Curtis-Mayfield penned hit for

Major Lance, "Rhythm," produced by Binky Griptite of the Dap-Kings and arranged by Johnny