Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Thursday, June 15, 2017

“FASCINATING” (CONSEQUENCE OF SOUND) NEW BOOK I GOT A SONG: A HISTORY OF THE NEWPORT FOLK FESTIVAL OUT THIS MONTH ON WESLEYAN UNIVERSITY PRESS AS FEST FAST APPROACHES


The first full-length history of the Newport Folk Festival, I Got A Song, is earning praise as its author Rick Massimo confirmed a presentation at the Newport fort on July 30. Here’s some of what we’re reading:
 
“In I Got a Song, which is out this week via Wesleyan University Press, Massimo juggles the decades of triumphs, struggles and personalities with aplomb, building a foundation on years of research and first-hand encounters as a longtime festival correspondent for the Providence Journal, and supplementing them with dozens of interviews with performers, fans and organizers.”
- Matthew Oshinsky, Paste Magazine, June 7, 2017
 
Fascinating… [Massimo] tells a story that’s not just about one festival in the smallest state of the country, but about folk music as a whole.”
- Ben Kaye, Consequence of Sound, May 24, 2017
 
“A treasure trove.”
- Ken Abrams, No Depression, May 14, 2017
 
“Engaging and at times touching.”
- Christopher John Stephens, Pop Matters, April 17, 2017
 
"Filled with interviews."
- Neil Pond, Parade, June 5, 2017
 
“A peek behind the scenes.”
- Relix Magazine, June/July, 2017
 
“Compelling… details evolution, tradition, evolving tradition, and capturing a spirit through storytelling.”
- Fallon Masterson, Vanyaland, June 6, 2017
 
“Yes, this is a fantastic book for us, the music reviewer invested in the Newport Folk Festival. Yes, it will be fantastic for the music aficionado, as well… we came into ‘I Got A Song’ expecting a light beach read, and left with a heady brew of history and excitement in the country’s premier music festival.”
- Matt Keefer, Music Ravings, June 5, 2017
 
July 27 – Books On The Square – Providence, RI
July 30 – Newport Folk Festival – Newport, RI
August 2 - Narrows Center for the Arts - Fall River, MA

Monday, April 10, 2017

FIRST BOOK ON HISTORY OF NEWPORT FOLK FEST ‘I GOT A SONG’ (JUNE 6 / WESLEYAN UNIVERSITY PRESS) MADE POSSIBLE BY NEW INTERVIEWS WITH ORGANIZERS, ARTISTS FROM PETE SEEGER TO JIM JAMES

PASTE PREVIEWS BOOK WITH FEATURE: http://bit.ly/2ojHiYf

READINGS PLANNED FOR RI, NYC

The first full-length book covering the full story of the Newport Folk Festival – I Got A Song: A History of the Newport Folk Festival, by Rick Massimo, is enriched with numerous new interviews. Massimo spoke with organizers, musicians, behind-the-scenes figures from every era, encountering some fascinating tales.

For example, Ketch Secor of Old Crow Medicine Show learned to play the guitar from listening to recordings from Newport Folk Festival growing up so it was a special moment for him with OCMS got to step on stage. “He was very conscious of all the traditional musicians who came up from the south, who different it must’ve felt for them to be playing at Newport for then-college kids. He feels a huge affinity for the people who came before him.”

Much of the theme of the book focuses on the changing views of folk music and how they reflected on each era of the festival. Massimo says, “Pete Seeger was in favor of mixing up genres. He donated his fee from the second festival to bring Canadian fiddler Jean Carignan, which was a precursor to the non-profit model. His vision lives on in the For Pete’s Sake stage.” He spent a day with George Wein and hours on the phone with Jay Sweet following the threads as well from the early years of trad music through to songwriters and now to an expansive interpretation of folk.

Joe Boyd, who was doing sound when Bob Dylan went electric, provided insight into that moment. “He had a lot to say about the progress of the ‘60s festival and what happened after Bob Dylan went electric and the folk boom faded. The effect of folk music morphed rock & roll so that you had lyrics with meaning,” says Massimo.

Pete Yarrow was the hardest interview but he finally did come through enthusiastically. John McCauley spoke about reviving the idea of the after party with concerts in town after the festival ends for the night.

Paste ran a feature on February 22 to preview the arrival of the book: https://www.pastemagazine.com/articles/2017/02/first-ever-book-on-newport-folk-festival-history.html

Rick Massimo appearances:

April 29 – Brooklyn Folk Festival – Brooklyn, NY
July 27 – Books On The Square – Providence, RI

$24.95 Paperback, 978-0-8195-7703-0

Thursday, January 19, 2017

FIRST EVER BOOK-LENGTH HISTORY OF NEWPORT FOLK FESTIVAL I GOT A SONG: A HISTORY OF THE NEWPORT FOLK FESTIVAL OUT JUNE 6 ON WESLEYAN UNIVERSITY PRESS

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LONGTIME PROVIDENCE JOURNAL WRITER RICK MASSIMO PRESENTS MANY NEW INTERVIEWS, INCLUDING PETE SEEGER, GEORGE WEIN, JIM JAMES, JAY SWEET, JEFF TWEEDY, ETC.

On June 6, 2017, Wesleyan University Press will publish I Got A Song: A History of The Newport Folk Festival, by Rick Massimo. Eight years in the making, the first-ever book exclusively devoted to the history of the Newport Folk Festival, I Got a Song documents the trajectory of an American musical cornerstone over its 58 years.

Rick Massimo’s historical research is complemented by extensive new interviews with the people who were there and who made it all happen, including festival producers George Wein, Bob Jones and Jay Sweet; artists such as Pete Seeger, My Morning Jacket’s Jim James, Judy Collins, Peter Yarrow (of Peter, Paul, and Mary), Colin Meloy (of the Decemberists) and Wilco’s Jeff Tweedy, and audience members from every era. Massimo presents an oral history of Bob Dylan’s famous electric performance in 1965 as well as its 50th-anniversary celebration in 2015.

Massimo says, “I was fascinated by how it endured and how it had changed, as well as the controversy over what folk music really was. I wanted to write a book that tells a story and isn’t just padded with facts.”

He collected a lot of stories in the process. “Everyone was very willing to talk about Newport; I was particularly impressed with Jim James’ breadth and depth of knowledge of what Newport is about. He is much more clued into the history of Newport than people think. And so many of the modern acts see themselves as descendants of old performers.”

Massimo also spent hours talking with current producer Jay Sweet, who has wrought more changes at Newport than anyone since the early days of the festival, but has done so from a background well versed in the history: “The first thing he did when he came on board was to read the [board members’ early 1960s] manifesto.”

Massimo, a native of Providence, RI, and a longtime Providence Journal writer, covered the Folk Fest for nine years and wrote extensively on arts, media and beyond.He has won awards from the Rhode Island Press Association and the New England Associated Press News Editors.

Newport Folk Festival sells out every year with Saturday and Sunday tickets gone in two hours for 2017. In recent years, it has reached a peak of cultural relevance with a nationwide media, industry, and fan spotlight.

Paper, $24.95 [T]
978-0-8195-7703-0

Ebook, $19.99 Y
978-0-8195-7704-7

Wesleyan University Press has an editorial program that focuses on poetry, music, dance, science fiction studies, film-TV, and Connecticut history and culture.

Publishing in its current form since 1957, Wesleyan University Press has published an internationally renowned poetry series, collecting five Pulitzer Prizes, a Bollingen, and two National Book Awards in that one series alone.

The mission of Wesleyan University Press is to develop and maintain a sound and vigorous publishing program that serves the academic ends and intellectual life of the University.

Wednesday, January 11, 2017

"I Got A Song: A History of the Newport Folk Festival" artwork

Click for high res



Book cover, author: Rick Massimo
Above: Pete Seeger, by Ken Franckling
The Staples Singers w/ George Wein by Ken Franckling

Above: Dar Williams by Ken Franckling

Above: Peter, Paul and Mary by Ken Franckling

Above: Judy Collins by Ken Franckling
Above: Joan Baez, Credit (Photograph by Diana Davies, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution)
Above: 1967 finale, Credit (Photograph by Diana Davies, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution)

Above: Indigo Girls, Credit (Photograph by Diana Davies, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution)




Above: Rick Massimo, by Shannon Finley

Wednesday, November 4, 2015

Noted blues scholar and harmonica player publishes first novel

For immediate release

Contact:  Adam Gussow
Phone:  845-664-8602
Email:  asgussow@aol.com

Modern Blues Harmonica Presents Busker's Holiday

Modern Blues Harmonica is pleased to announce the publication of Busker’s Holiday, a taut, sexy first novel about the summer busking scene in Europe and a pair of wild-hearted young men who make a pitch for fame and glory, finding a girl or two along the way.

Adam Gussow, the author, is an associate professor of English and Southern Studies at the University of Mississippi.  Gussow has published three previous books on the blues, including Mister Satan’s Apprentice (1998), an award-winning memoir about his years as a Harlem street musician.

Set in the late 1980s, Busker’s Holiday is the story of McKay Chernoff, a Columbia University grad student with a harmonica in his pocket and a blues band in his background.  Desolate and despairing after a disastrous romantic breakup, McKay decides to fly off to Paris and reinvent himself as a street performer.

What follows is an epic summer voyage into the busking life, propelled by the mad exploits of Billy Lee Grant, a fearless young guitar shredder whose Memphis-to-Mississippi pedigree and Dylanesque surrealism make him, when he explodes into view, precisely the partner McKay has been yearning for.

Burning like a latter-day Dean Moriarty, Bill goads McKay into a sun-drenched, all-night bender, stoked by wine, women, mushrooms, and trains, that careens down out of Avignon and across the French Riviera.  What happens next—in Florence, Solingen, Amsterdam, Paris—is a story of purgatory, redemption, and love regained.  Hope, in a word, as a modern troubadour returns from his wanderings, reborn.

For more information on Busker’s Holiday and a photo of the author as a reckless young street performer, visit the website:
http://www.modernbluesharmonica.com/buskers-holiday.html

# # #

About the author:

Adam Gussow, born in New York City and raised twenty-five miles upriver, has been living in Oxford, Mississippi since 2002, where he teaches at Ole Miss and performs with his current duo, The Blues Doctors.  He is best-known musically for his longtime partnership with guitarist Sterling “Mr. Satan” Magee as the duo Satan and Adam.  He has contributed more than 500 blues harmonica teaching and performance videos to YouTube—his debut music video, “Crossroads Blues,” has 700,000 views—and his website, ModernBluesHarmonica.com, is popular with beginners and pros alike.

Gussow has published three previous books on the blues:  Mister Satan’s Apprentice:  A Blues Memoir (1998); Seems Like Murder Here:  Southern Violence and the Blues Tradition (2002); and Journeyman’s Road:  Modern Blues Lives From Faulkner’s Mississippi to Post-9/11 New York (2007).  He has just completed a scholarly monograph entitled Beyond the Crossroads:  The Devil and the Blues Tradition.

# # #

Praise for Busker’s Holiday

“In Gussow’s…lively road novel, an American grad student spends a wild few weeks as a street musician in Europe….a five-week odyssey, a wild, jazzy tale that includes rollicking musical performances, running from the cops, drunken debauchery, and a diverse array of colorful characters…. Gussow’s tale is a fast-paced, enjoyable one, with the harmonica blues angle putting a unique spin on the European trip narrative. It is a nostalgic story but thankfully unsentimental, as rigorous detail and descriptions bring the story to life in explosive ways. McKay on the street in Paris drinking Heineken while playing “Sweet Home Chicago” is certainly cool, yet Gussow outdoes himself with the novel’s revolving cast of unique characters, whose crazy times and back stories are endlessly entertaining. The novel is about the trip of a lifetime, going to Europe to forget everything, but it’s also a story of friendship, helped tremendously by Gussow’s ear for music and dialogue. A strongly written, cool novel about being young, bluesy, and free on a vagabond adventure in Europe.” –Kirkus Reviews

“Why would anyone be surprised that Adam Gussow had such a fantastic novel in him? For decades, his impeccable harp-playing has demonstrated the depth of his soul. His scholarly writing offers keen insight into all manner of American aesthetics. That he has rounded up such a roguish cast of characters and unleashed them abroad for shenanigans of the best kind only confirms the range of his talents.”--Tom Williams, author of Among the Wild Mulattos & Other Tales and Don’t Start Me Talkin’

"Busker's Holiday is strung between espressos and bluesy harmonica poetry, a linguistic tour-de-force dancing like rain drops on the Paris streets."-- Paul Maher, Jr., author of Kerouac: The Definitive Biography and Burning Furiously Beautiful: The True Story of Jack Kerouac's On the Road

“Adam Gussow writes like he plays the harmonica: with great precision and fluidity, and with a flawless ear for melody. With Busker’s Holiday, he takes the reader with on an emotional and musical journey from the Ivory Tower of US academia to the dirty, sexy and no-holds-barred streets of late 1980s Europe.  It’s an exciting and fast-paced novel that not only keeps you enthralled, but (speaking as a professional musician and former busker myself) really rings true. Gussow gets it right. He evokes the transformative power of the blues in a way few are able to do. Sex, drugs, rock and roll, Dante, Kerouac, Hemingway, Robert Johnson and Muddy Waters all in one short novel. Remarkable!”—Ron Sunshine, New York bandleader

“A rocking guttersnipe’s lament across Europe, one that stings and swings. A lively coming-of-age tale, inspired by Kerouac and Magic Dick.”—R. J. Smith, author of The One:  The Life and Music of James Brown

Book facts:

Busker’s Holiday
Publisher:  Modern Blues Harmonica / BookBaby
Print:  ISBN 978-0996712408, $14.95, 216 pages, 5.5” x 8.5”, trade paperback
eBook:  ISBN 978-0996712415, $5.99
Pub date:  October 15, 2015

Print version vailable at Amazon, Barnes & Noble, and Powell’s Books.
E-book available at iBooks, Amazon (Kindle), B&N (Nook), Kobo, and more

Tuesday, June 16, 2015

AWARD-WINNING JOURNALIST TED DROZDOWSKI VIVIDLY BRINGS TO LIFE GUITAR GIANTS ON FIRST BOOK

OBSESSIONS OF A MUSIC GEEK, VOLUME 1: BLUES GUITAR GIANTS TO ARRIVE JULY 31 ALONG WITH NEW ALBUM ‘LOVE & LIFE’

Ted Drozdowski is a man of many hats. Besides putting over a million miles on a series of vans for a series of bands, culminating in Ted Drozdowski’s Scissormen, he has conducted over one thousand artist interviews as a journalist. July 31 marks both the band’s new album ‘Love & Life’ as well as Ted’s first compendium, a book of vivid portraits called Obsessions of a Music Geek: Volume 1, Blues Guitar Giants.

Obsessions of a Music Geek brings to life some of the all-time greats, shining new light on aspects of their lives and careers. Drozdowski writes about Otis Rush’s secret to bending strings, conducts one of Johnny Winter’s last interviews, expands on his Rock & Roll Hall of Fame induction program for Freddy King and reveals what King thought of Eric Clapton, takes a stroll through Dan Auerbach’s vinyl collection, and explains why John Lee Hooker has more direct African influences in his playing than many other bluesmen, and more.

Making a lifelong study of music, Drozdowski has learned how to tell a story in song, a talent that he’s put to use on ‘Love & Life,’ the new album.

In his career, Drozdowski has also interviewed Tom Waits, Lou Reed, Patti Smith, Buddy Guy, B.B. King, Metallica, Van Halen, Etta James, Pete Townshend, Wilco, Chrissie Hynde, Solomon Burke, Stevie Ray Vaughan, Robert Plant, David Bowie, and Laurie Anderson, and hundreds more with bylines in Rolling Stone, Travel and Leisure, and editor positions for the Boston Phoenix and Musician Magazine. He has also penned liner notes for dozens of releases, including Santana, John Lee Hooker, Morphine. He presently writes for Guitar World, Premier Guitar, Gibson.com, and the Nashville Scene, among others.

Ted Drozdowski’s Scissormen are on tour this summer.

Thursday, May 22, 2014

NAUTILUS PRESS CONFIRMS SEPT 15 RELEASE OF “WE ARE THE MUSIC MAKERS” HARDCOVER BOOK WITH PHOTOGRAPHS AND STORIES BY TIMOTHY AND DENISE DUFFY

ROLLING STONE AND ERIC CLAPTON HIGHLIGHT SOUTHERN MUSICAL CULTURE NON-PROFIT’S 20TH ANNIVERSARY: http://rol.st/1k0MQ0k

Nautilus Press has confirmed a September 15 release date for the book “We Are The Music Makers: Preserving The Soul Of America’s Music.” Written by Timothy and Denise Duffy, the book features over 65 photographs taken by Tim Duffy over twenty years along with the stories and songs. Tim Duffy's previous book “Portraits and Songs from the Roots of America” was released in 2002 and sold 15,000 copies.

In related news, Rolling Stone recently highlighted the Foundation’s twentieth anniversary by posting an acoustic blues song by Duffy with Eric Clapton. Clapton said, "Music Maker is a fabulous project, real evidence that the music I have always loved is alive and well."

Of the book, B.B. King said, “We are the Music Makers highlights an essential part of our culture, providing us a glimpse into the lives of the amazing, and often little known, musicians of the American South. Tim Duffy has taken every opportunity to sustain a dimension of Blues culture that could easily be lost forever, and nowhere is that more apparent than in his new book.”

Bonnie Raitt added, “The photographs in this book are not only beautiful, but reflect the deep love and dedication The Duffys have for both preserving traditional Blues culture and providing real support and opportunity for these wonderful musicians who might otherwise be forgotten.”

Character sketches and black and white photographs of great American musicians Etta Baker, John Dee Holeman, Jerry ‘Boogie’ McCain, Taj Mahal, Willie King, Othar Turner, Little Freddie King, The Carolina Chocolate Drops, Ironing Board Sam, and the original guiding light for the Foundation’s formation Guitar Gabriel are shared in the book. The book also highlights other artists nestled deep in southern culture and telling a hidden story of American music. The book also highlights the musician’s place in the southern community, a vital role that serves the laborers.

Photos from the book are here.

 In the introduction, Denise writes, “Tim acknowledges a deep obligation to these artists, ‘It is no small thing to ask a musician for their song and their story. The only way we can hope to make an equal exchange is if the documentarian and the artist have a genuine relationship; they must share more than just the moment the photo is taken or the song is captured…’

Days spent sharing songs, food, laughter and far too many miles in vans and airplanes have built the bridges of trust that allow these artists to give their wisdom and art so generously. These artists share their life lessons with us because we are dedicated to presenting their music to the world with reverence and to be partners in their struggle for a better life…

We concluded that our nations musical traditions were suffering from starvation and underemployment… We get gigs for those that want to perform, guitars for those who want to play, and feed the hungry. Our initial grassroots effort to meet the needs of a handful of blues musicians in Winston-Salem, NC, has grown to assist hundreds through the generosity and passion of our supporters, employees and volunteers.”

“We Are the Music Makers” runs 144 pages and will be for sale at bookstores nationwide and on Amazon.com. List price is $38. It can be pre-ordered here or here.