Showing posts with label new york. Show all posts
Showing posts with label new york. Show all posts

Tuesday, November 21, 2017

JALOPY THEATRE AND SCHOOL OF MUSIC GO NON-PROFIT

Statement from Jalopy Theatre's Geoffrey & Lynnette Wiley:

Since we founded Jalopy in 2006, technically, we have been a for-profit business, but that model has never truly reflected our priorities (in fact, many people assume we already are a nonprofit organization because of our commitment to our community of artists and students). Our main concern has always been supporting artists and making folk music accessible to a wide audience, not focusing on the bottom line.

So we are thrilled to share the news that we are joining forces with Living Traditions, a nonprofit organization founded in 1994 with the mission of preserving, promoting and perpetuating traditional folk music. For thirty years, Living Traditions produced the wildly successful KlezKamp, a beloved annual Yiddish folk arts gathering in the Catskills. Living Traditions’ own programming ended in 2014, and we are proud to be taking up their mission as our own while holding on to our own location, staff, programs, and name.

Over Jalopy’s first decade, our music and educational programming has become increasingly rich, and the relationships we have developed with artists, audiences, and students have deepened. And we have seen an opportunity to build a broader community of support for our work, realizing our communal values even more fully.

We’ve always considered Jalopy a place that belongs to the people. Officially offering our activities and programs through a nonprofit (in more than just spirit!) will provide new ways to connect with our community, strengthen our organization, and continue to evolve as we begin our second decade.

Thursday, April 6, 2017

Tuesday, February 9, 2016

SILVER CITY BOUND SET COURSE TO CROSS GENRES WITH NEW EP 'TAKE MY PICTURE' OUT MARCH 4

NYC’s Silver City Bound will release their new EP, Take My Picture, on March 4th. Occupying a unique intersection where folk, indie rock, Zydeco, and North American roots music meet, the musicians take a left-of-center approach to their sound. Vocalist and songwriter Sam Reider, who was trained as a jazz pianist, plays the accordion, for starters. He and guitarist/vocalist/songwriter Justin Poindexter lead the band and are joined by bassist Noah Garabedian, drummer Will Clark. The band's Diner in the Sky was named the Best Americana Album of 2015 by the Independent Music Awards.

Formerly known as the Amigos, Silver City Bound have earned accolades for their "sprightly picture of folk, country, mariachi and more" (The New Yorker), a sound that the Huffington Post calls "Americana at its best." Along the way, they've performed at Lincoln Center, The Philadelphia Folk Festival, Folk Alliance, as well on bills with the Carolina Chocolate Drops, Amy Helm and Sam Bush. Equally at home in indie rock dive bars and cultural institutions and inspired by the diversity of sounds in NYC, they're a breath of fresh air, stirring unexpected instruments and wide-ranging influences into their own mixing pot. Named for a Lead Belly song, the band will play an EP release show March 4 at Brooklyn’s Barbes.

Take My Picture casts a wide net, from the Jayhawks-worthy harmonies of opening track "Take My Picture" to the soulful twang of "Do Right," a cover of Aretha Franklin's "Do Right Woman, Do Right Man." Fueled by the blend of Reider and Poindexter's voices, the band recalls the classic sounds of Flying Burrito Brothers while also uncovering new ground, a move that puts them more in line with modern-day Americana bands like the Felice Brothers.

Tuesday, January 19, 2016

MEDIA ALERT: PLACING A PLAQUE ON ROCK & ROLL AND BLUES HALL OF FAMER LEAD BELLY’S APARTMENT BUILDING TO MARK HIS BIRTHDAY TOMORROW AT 3PM


POET TYEHIMBA JESS; BLUES MAN AND ACTOR GUY DAVIS; LEAD BELLY ARCHIVIST/AUTHOR JOHN REYNOLDS; AND FOLKSINGER TOM CHAPIN TO DEDICATE PLAQUE AT CEREMONY

FOOTAGE AND PHOTOS WILL BE AVAILABLE UPON REQUEST

Lead Belly Fest – the multi-artist tribute to Lead Belly taking place at Carnegie Hall on February 4 – will be placing a plaque on the apartment building where he lived during the last decade of his life at 414 E. 10th Street tomorrow, to commemorate his life and times in New York on his birthday of January 20. Those speaking at the ceremony include National Endowment for the Arts fellow, poet, and Lead Belly chronicler Tyehimba Jess; actor and bluesman Guy Davis; three-time GRAMMY winner Tom Chapin; and Lead Belly historian, archivist, and author John Reynolds. Other members of NYC’s folk and blues scenes will be in attendance, including Ernie Vega. A group performance of “Good Night Irene” will follow.

WHO: Tyehimba Jess, Guy Davis, John Reynolds, Tom Chapin, Stephen Petrus, other musicians
WHAT: Placing of plaque on Lead Belly’s former building
WHEN: 3pm, January 20, 2016
WHERE: 414 E. 10th Street, NYC
RSVP: nick.losseaton@gmail.com or 718.541.1130

+ Guy Davis is an artist who has excelled in many disciplines; he is a musician, composer, actor, director, and writer. He has received accolades and praise for his performance off-Broadway as the legendary Robert Johnson in “Robert Johnson: Trick The Devil,” winning the Blues Foundation's "Keeping the Blues Alive Award”.  Likewise, he received rave reviews for his appearance on Broadway in “Finian's Rainbow”, playing the part originally played by the legendary Sonny Terry.  He has been nominated for nearly a dozen Blues Awards and has performed on such shows as Prairie Home Companion, Late Show With David Letterman and Late Night With Conan O'Brien. Most recently, he is nominated for two 2016 Blues Music Awards. A friend of Pete Seeger’s, the two used to perform “Midnight Special” in concert frequently.

+ Born in Detroit, poet and Lead Belly chronicler Tyehimba Jess earned his BA from the University of Chicago and his MFA from New York University. Jess is the rare poet who bridges slam and academic poetry. His first collection, Leadbelly (2005), an exploration of Ledbetter’s life, was chosen for the National Poetry Series by Brigit Pegeen Kelly, and was voted one of the top three poetry books of the year by Black Issues Book Review. His work has been featured in numerous anthologies, including Soulfires: Young Black Men in Love and Violence (1996), Slam: The Competitive Art of Performance Poetry (2000), and Dark Matter 2: Reading the Bones (2004). He is the author of African American Pride: Celebrating Our Achievements, Contributions, and Enduring Legacy (2003). His honors include a Whiting Writers’ Award, a Chicago Sun-Times Poetry Award, and a Gwendolyn Brooks Open Mic Poetry Award. A former artist-in-residence with Cave Canem, Jess has been awarded fellowships from the National Endowment for the Arts, the Illinois Arts Council, and the Fine Arts Work Center at Provincetown, as well as a Lannan Writing Residency. Jess has taught at the Juilliard School, the University of Illinois, Urbana-Champaign, and at the College of Staten Island in New York City.

+ Through 50 years, 24 albums, eight GRAMMY nominations, three GRAMMY awards and thousands of live performances, Tom Chapin has entertained, amused and enlightened audiences of all ages with life-affirming original songs told in a sophisticated array of musical styles. The New York Times calls Chapin "one of the great personalities in contemporary folk music," while Billboard described him as "the best family artist around" and "totally captivating." Parents magazine stated, "Nobody today is writing and performing better kids' songs than Tom Chapin." In his varied career, Chapin has appeared on Broadway as Jim in the hit-musical Pump Boys and Dinettes and off-Broadway as musical director of Cotton Patch Gospel and Harry Chapin: Lies & Legends. In film he created the music for the award-winning shark documentary Blue Water, White Death and had a cameo role in the 2004 remake of The Manchurian Candidate. On television Chapin hosted the ABC Emmy & Peabody award-winning children’s show Make A Wish and the documentary series National Geographic Explorer.  His newest recording is the acclaimed “70” (Sing Out! says, “Pick up this album, it’s a great one.”)

+ John Reynolds has been a fan, collector, advocate and Ledbetter family confident for almost 60 years. He knows through his own sense-driven perception, the enormous importance of Huddle Ledbetter. His extensive files contain just about every photograph, article, artifact and tangential scrap that bears Lead Belly's stamp. He sought out Huddie's widow Martha after 'Goodnight, Irene' became popular, and visited her often in her top floor apt (#26) at 414 East 10th St in the 50s before joining the navy. He co-authored 'LEAD BELLY: A Life in Pictures' (Steidl, 2008) with Tiny Robinson, Lead Belly's favorite niece.

+ Stephen Petrus is an Andrew W. Mellon Research Fellow at the New-York Historical Society, where he is working on his second book, a political and cultural history of Greenwich Village in the 1950s and 60s. At the Museum of the City of New York, he curated the critically acclaimed exhibition Folk City in 2015 and was co-author of the show's accompanying book, with historian Ronald D. Cohen. Stephen is a twentieth-century U.S. urban and cultural historian. He received his Ph.D. from the City University Graduate Center and taught at Lehman College in the Bronx.

Wednesday, November 2, 2011

Caithlin De Marrais shreds vocal cords in homage to Patti Smith, Scorsese

Caithlin De Marrais (formerly bassist/singer from Rainer Maria) totally shredded her vocal cords recording "Hot Day," an homage to Patti Smith's Horses and 1970s era crime films. Caithlin says, "Tears were streaming down my face during tracking. There was a feeling of desperation in the lyrics and I was reckless in a way I hadn't been since the early days of Rainer Maria when I would regularly lose my voice on tour." I love the scorching fuzz bass and her all-out belting.

Check out "Hot Day" on MTV Hive.

Hear the entire album streaming at Magnet's website.

"The primal yell in there is about running away from responsibility," Caithlin continues, "'Horses' was destined to be in my record collection. I loved Mapplethorpe, Blondie, Talking Heads and hanging out in the Village as a teenager. Now I relate to 'Horses' totally differently. It sounds old and wise to me, like a force of nature that won't be silenced."

Simultaneously "Hot Day" was influenced by soundtracks to 1970s era crime dramas "The French Connection," "Taxi Driver," and "Dirty Harry." Caithlin's Wurlitzer and Ray Saperstein's cornet pay homage to those moody, dark masterpieces.

New Yorkers: Caithlin is playing tonight at Union Hall at 10pm. Please let me know if you'd like to be on the guest list.

Advance praise for the new album:

"The former Rainer Maria frontwoman has a new solo album coming next month, Red Coats, and it reduces her old band’s emo-rock blare to a quieter roar, surrounding De Marrais’ uncommonly expressive singing with tense little clicks and buzzes, slyly destabilizing where Rainer Maria once aimed to knock off socks." -- The Village Voice

"Beguiling." – The New Yorker