NEW ALBUM ‘SCAREDY CAT’ RECORDED AT SUN & SET FOR AUGUST 11
TAPINGS WITH BEALE STREET CARAVAN, WOODSONGS, YAHOO! MUSIC SET
Grace Askew – the fast-rising Americana singer – has announced a run of tour dates marking the release of ‘Scaredy Cat’ (August 11).
Rolling Stone recently ran a Q&A with Askew, talking about growing
up in Memphis, recording at Sun, singing on The Voice (NBC) for Team
Blake Shelton, opening up for Americana legends, songwriting, and
touring in her pickup truck.
Grace Askew Tour Dates:
July 25 – Memphis, TN (with Jimbo Mathus) - Lounge 1884 at Minglewood Hall –
August 1 – Nashville, TN – Soulshine
August 7 – San Francisco, CA – 50 Mason Social Club
August 9 – Los Angeles, CA – Hotel Café
August 10 – Los Angeles, CA – Silverlake Lounge
Yahoo! Music previous called Askew “smoldering and searing… the girl
with the badass beehive, boots made for walkin', and velvet 'n'
sandpaper vocals who would've been right at home on Jack White's Third
Man Records roster."
Daytrotter raved about "her extraordinary voice," saying, "Mark our
words, Memphis' Grace Askew will be the best thing to ever come out of
'The Voice…' Askew has officially taped one of the finest Daytrotter
sessions of all-time. Just listen. She makes us believe in the beauty of
hurt and the elixir of booze."
Showing posts with label daytrotter. Show all posts
Showing posts with label daytrotter. Show all posts
Monday, July 7, 2014
Tuesday, July 23, 2013
HOT ON HEELS OF NEWPORT FOLK FESTIVAL SET & OPENING SLOT FOR JASON ISBELL, FAST-RISING AMERICANA SONGWRITER JOE FLETCHER TO MAKE MERCURY LOUNGE DEBUT JULY 30
"RAW BEAUTY" – BOSTON PHOENIX
Fast-rising Americana songwriter Joe Fletcher will make his
Mercury Lounge debut in NYC on July 30, immediately following his Newport Folk
Festival set July 27 and an opening slot in Boston for Jason Isbell July 29.
Fletcher, whose sound swirls deep blues, outlaw country, and
Americana influences, made his Newport debut last year. He has also opened for
Deer Tick, The Low Anthem, John Doe, Murder By Death, and Lucero and recorded
with John McCauley (Deer Tick). Earlier this year, he was featured as an icon
of GQ's SXSW Street Style 2013 spread.
The Boston Phoenix called his 2011 album 'White Lighter'
"raw beauty," continuing, "The listener can't help but be swept
up in each of the 12 tracks. Lyrically, Fletcher bleeds George Jones, Merle
Haggard, and Johnny Cash with first-hand accounts of barstool outlaws and the
family man blues, while his acoustic skills invite comparisons to Townes Van
Zandt."
DigBoston has called him "the most famous man in Rhode
Island," praising his "raucous live shows."
No Depression says, "His signature brand of dark and
lyrically driven honky tonk is interspersed with a softer side that would make
Hagg or Jones proud."
Click here for Fletcher's amazing Daytrotter session.
Click here for Fletcher's music videos.
Click here for press photos of Fletcher (scroll down for
high res photos).
Later in the year, he will perform at the Americana Fest and
Muddy Roots Festival with exact slots to be announced.
WHO: Joe Fletcher & The Wrong Reasons, with Bobby Bare
Jr., Joshua Black Wilkins, Christopher Paul Stelling
WHAT: Mercury Lounge debut
WHEN: Tuesday, July 30, 2013
WHERE: Mercury Lounge, 217 E. Houston St. (between Ludlow
& Essex), NYC
TICKETS: $10 in advance, $12 day of show via Mercury Lounge
box office
Thursday, July 18, 2013
RI'S JOE FLETCHER TO HOST NASHVILLE TO NEWPORT LINEUP AT NEWPORT FOLK FESTIVAL JULY 27
LINEUP INCLUDES JOHN MCCAULEY, AMANDA SHIRES, PATRICK
SWEANY, AND MORE AS WELL AS JOE FLETCHER AND THE WRONG REASONS
Joe Fletcher – the Rhode Island native who has opened for
Deer Tick, The Low Anthem, and Lucero – will host, curate, and personally back
up Newport Folk Festival's Nashville To Newport. Fletcher, a veteran of the
2012 Newport Folk Festival, is planning a fall release for his new album 'You've
Got The Wrong Man.' Set for Saturday, July 27, Nashville To Newport features
Amanda Shires, Andrew Combs, Derek Hoke, John McCauley (Deer Tick), Joshua
Black Wilkins, Patrick Sweany, Shelly Colvin, Steelism, RayLand Baxter, and Joe
Fletcher & the Wrong Reasons. The hard-touring Fletcher says, "In my
travels I have spent a good deal of time in Nashville, and I have witnessed
some of the greatest musical moments of my life in smoky, little East Nashville
bars and Lower Broadway honky tonks."
Click here for Fletcher's amazing Daytrotter session.
Click here for Fletcher's music videos.
Click here for press photos of Fletcher (scroll down for high
res photos).
Whether seeing her perform as fiddler for Jason Isbell,
Justin Townes Earle, or leading the band through her own gorgeous songs, Amanda
Shires is undoubtedly a performer who has been living and breathing her music
for a very long time. At age 15, she was playing fiddle in the legendary Texas
Playboys and since then her resume has only become more diverse and impressive.
I have worn out my copy of her third solo release Carrying Lightning and I
couldn’t be more excited to see her back at center stage this year in Newport.
Last October, I saw Andrew open for Jason Isbell in a park
in Birmingham, AL. I watched Andrew take the stage with only a guitar in front
of thousands waiting to see their headlining local hero. By the end of the
first song he had this crowd in the palm of his hand with his cool, measured
delivery and songs of a life and love gone sour. American Songwriter selected
his 2012 release Worried Man as one of the year’s best.
Derek has hosted me at the renowned $2 Tuesday at The Five
Spot in East Nashville countless times and each time he and his band
effortlessly stun the house with their special brand of “quietbilly.” His
latest record Waiting All Night features an impressive list of guests and has
earned the attention of NPR’s All Things Considered.
I first met John in 2007 when we were both booked to play a
mutual friend’s going away party on Smith Hill in Providence, RI. Word was
already flowing through the city that this was the man to see, and I was very
curious if not a little skeptical to know if he was deserving of the hype. That
night, the then 22 year old left me with no doubt that he was already a
musician and entertainer of the highest order and that I had a lot to learn
from him. Whether fronting Deer Tick, Middle Brother, Diamond Rugs or standing
alone with his guitar, you can’t help but know you’ve crossed paths with a man
that is truly one of a kind.
My first encounter with Joshua came a few years back when he
opened for Justin Townes Earle in Northampton, MA. I was immediately drawn to
his jarringly honest songs of heartache and betrayal and his take it or leave
it attitude. He is as direct and focused as you will ever find, and his brand
new record Fair Weather is only more proof that this man is a master of his
trade.
With his band or alone with a guitar and stomp box, Patrick
Sweany is a world class party starter. He summons Rev. Gary Davis, Joe Tex, and
Little Richard, but never loses sight of telling his own story. He is a true
blue rock n’ soul man to the core and one of the finest guitar players alive
today. With two Dan Auerbach-produced records under his belt and his new record
Close to the Floor coming July 15, there is no better time to board this train.
When you see Shelly take the stage, you may be reminded of
one of several of country music’s greatest. Loretta Lynn, Tammy Wynette, and
Emmylou Harris all jumped to my mind at last year’s SXSW. Her timelessness and
achingly beautiful melodies have attracted collaborators such as Old Crow
Medicine Show. Her 2012 record Up the Hickory Down the Pine is the perfect
document of this true original.
On their debut EP The Intoxicating Sounds of Pedal Steel
& Guitar, Spencer Cullum Jr. and Jeremy Fetzer take the pedal steel vs.
Telecaster bottle fight to the next level. You'll hear them effortlessly slide
from dreamy surf to 50's raunch to blown-out talk box psychedelia. You may have
seen one of these gentlemen backing up Jonny Fritz, Caitlin Rose, or Andrew Combs,
but on this day they will rightly be at center stage. They floored me this past
January at The Basement in Nashville, and I'll be surprised if this blend of
classic musicianship and fresh adventures is not one of the most talked about
sets at the festival this year.
This past March I wandered into a friend's sock shop in
Manhattan just as RayLand was plugging in his amplifier to play a few songs.
Before this, I had only met him in passing and had never heard him sing. Within
seconds I was drawn in by his undeniably honest manner and songs that sound as
though they were delivered in a dream rather than written. His debut record
Feathers and Fishhooks is a perfect document of a man who is clearly more
interested in the journey and unconcerned with the destination.
As we put the finishing touches of our third album You’ve
Got the Wrong Man (fall 2013), The Wrong Reasons and I are very grateful to be
returning for our second straight Newport Folk Festival appearance. It is made
all the more special that we will be backing up some of our favorite Nashville
musicians as well as collaborating with them on our own material. The
possibilities set by this particular collection of artists guarantee a magical
atmosphere that is, to me, what the true spirit of the Newport Folk Festival is
all about.
Joe Fletcher clips
Refinery 29 SXSW style round-up
Daytrotter Oct 12, 2012
GQ SXSW 2013 Street Style
Billy Reid, August 22, 2013
Country Weekly feature, October 13, 2014
Entertainment Weekly album stream, October 3, 2014
Rolling Stone Americana Fest preview, September 15, 2014
Paste song premiere, September 18, 2014
Wondering Sound song premiere, September 15, 2014
Esquire song premiere, August 28, 2014
Daytrotter Oct 12, 2012
GQ SXSW 2013 Street Style
Billy Reid, August 22, 2013
Country Weekly feature, October 13, 2014
Entertainment Weekly album stream, October 3, 2014
Rolling Stone Americana Fest preview, September 15, 2014
Paste song premiere, September 18, 2014
Wondering Sound song premiere, September 15, 2014
Esquire song premiere, August 28, 2014
Monday, June 17, 2013
KINGSLEY FLOOD'S "AWESOME" (NY TIMES) VIDEO "SUN GONNA LEMME SHINE" BREAKS 10,000 VIEWS AS NEWPORT FOLK FEST DAY ANNOUNCED & DAYTROTTER SESSION POSTS
The "awesome" (New York Times) music video for
breakout band Kingsley Flood's "Sun Gonna Lemme Shine," inspired in
part by a NY Times Magazine cover story, has passed 10,000 views as Newport
Folk Festival confirmed that the band would play Friday, July 26.
Meanwhile, Huffington Post asked KF's singer Naseem Khuri for
an essay about the video entitled "Why We Made a Video About a Boy in a
Dress." Khuri writes, "While most of our recent album, Battles, does
not focus on boys wearing dresses per se, it does look at choice. Through the
eyes of people who have done all the right things and still fall behind, it
questions what choices they have to stay above water. Do they have to sell out?
Throw elbows?":
The band's Daytrotter session posted last month.
The Boston Globe said of a recent sold out show,
"Triumphant... magnetic... Singer Naseem Khuri didn't just play acoustic
guitar; he beat it into submission. He rendered two acoustic guitars unusable
by the time the band hit its encore run... Yet even within the torrent of
energy Kingsley Flood puts out live, the band distinguishes itself with richly
textured songs."
Wednesday, April 3, 2013
JOHN MURRY'S 'THE GRACELESS AGE' OUT TODAY ON EVANGELINE RECORDING CO.
NPR HERE & NOW SEGMENT, WALL STREET JOURNAL FEATURE RUN
ON "MASTERFUL" (DAYTROTTER) & FASCINATING FAULKNER-RELATED ARTIST
NPR: "ONE OF THE BREAKOUT STARS OF THIS YEAR'S SXSW
FESTIVAL"
John Murry – the Mississippi-born, UK breakout artist – will
see his debut album 'The Graceless Age' released today on Evangeline Recording
Co. to across-the-board raves. A fascinating, two-part conversation with NPR's
Robin Young aired on Here & Now yesterday as the pair discussed his Mississippi
roots, connections to southern literature, working with co-producer Tim Mooney
(Sun Kil Moon, American Music Club), Murry's heroin overdose in his adopted
hometown of San Francisco, and the role honesty played in both the album and in
his recovery from addiction.
Full album stream:
More US raves for John Murry's 'The Graceless Age':
"Alluring, emotional, and infectious."
– NPR World Café, February 22, 2013
"Great songs."
– Andy Langer, Esquire, March 9, 2013
"Arresting."
– John Jurgensen, Wall Street Journal, March 29, 2013
"The real deal."
- Robin Young, NPR Here & Now, April 2, 2013
"With an arresting sense of honesty and human insight,
Murry is man that you should certainly get to know."
– Hillary Weston, Black Book, March 13, 2013
"The guy's got gravitas [with] widescreen imagery and a
soulful moan."
- Jim Allen, MTV Hive, February 5, 2013
"Masterful."
– Sean Moeller, Daytrotter, April 1, 2013
"There are standouts everwhere [from this] artist of
major stature."
– 4.5 stars out of 5, Jim Beviglia, American Songwriter,
March 1, 2013
"Masterful."
– Dorit Finkel, Baeble Music, January 23, 2013
"Raw, powerful lyrics and Springsteen-like cinematic
sweep."
- Michael Mayer, San Jose Mercury News, March 22, 2013
Monday, October 29, 2012
INDIE POP EXPAT PINEY GIR RETURNS TO STATES TO RAVES FOR 'GERONIMO!,' TAPES NPR & DAYTROTTER, PLAYS CMJ
Piney Gir came back to her native US from her home in the UK
and has been busy, playing CMJ, taping a Daytrotter session, and taping an
interview with NPR Weekend Edition, which will air in November. She's also
wrapping up a national tour with three west coast dates:
November 1st - The
Bootleg, LA
November 2nd - The
Make Out Room, San Francisco, with Red Pony Clock
November 3rd
- LA's Original Farmer's Market, LA
Baeble Music recently
praised 'Geronimo's' "sun-faded retro pop [and] all out go go boots
affair," continuing, "After all, if Piney Gir's buzzing electric
guitars and relentlessly charming vocals were enough to brighten up the UK, we
gotta think they'll be enough to make us Americans cheery."
Here's a bit of what
we've read in response to her album 'Geronimo!,' out last week in the States on
Highline Records.
"Pop gems." – Philadelphia Inquirer
"Her album sounds a bit Shangri-Las, a bit Vivian
Girls, and a bit Jenny Lewis." – Blurt Magazine
"Sounds like Rilo Kiley." – Spinner
"I like this." - DA Wallach (Spotify), DA's Wild
Ride Tumblr
UK reviews:
"Sweet 60's pop from Kansas Chameleon" – UNCUT,
****
"Undeniably charming" - The Sun
"A delight" - The Guardian
Thursday, May 24, 2012
"ALT-ROCKERS [WHO MAKE] BARB-WIRE HOOKS WITH GREAT HARMONY WORK" (BAEBLE MUSIC) SONS OF FATHERS COMPLETE MASTERPIECE SECOND ALBUM 'BIG DIAMOND WALTZ,' MIXED BY VANCE POWELL (JACK WHITE), OUT AUGUST 15 ON BLANCO RIVER MUSIC
OPENING DATES PLANNED WITH
ALISON KRAUSS AND DWIGHT YOAKAM
"ONE OF 12 TO WATCH IN
2012… TERRIFIC… BARN-BURNING" – EMUSIC
"HOT TRACKS…
IMPRESSIVE" - RELIX
Following heavy touring and
intensive songwriting sessions, "breakout" (Austin Chronicle)
"alt-rockers" (Baeble Music) Sons of Fathers fulfills the promise of
last year's self-titled debut with a profound, terse masterpiece of a second
album 'Big Diamond Waltz' (August 15 / Blanco River Music). Vance Powell, who
mixed Jack White's 'Blunderbuss' and albums by Dead Weather and The Raconteurs,
approached the band at an in-store at Grimey's in Nashville, TN and offered to
mix 'Big Diamond Waltz.' Baeble Music raved about the "barb wire
hooks" of the new material, which was self-produced by band principles
David Beck and Paul Cauthen, continuing, "Sons of Fathers make their case
for why they should be included in your current crush on southern rock leaning
bands."
Powell said, "The Sons
are blazing a trail out of Austin with great songs and a cool sound unique unto
themselves. I loved working on the album."
Sons of Fathers were named
one of "12 to watch in 2012" by eMusic, which called the self-titled
debut album "terrific" and "barn-burning," continuing, "nothing
can take away the songwriting duo's brotherly harmonies [and] their band's
ruckus-raising live shows." Relix Magazine called the self-titled debut
album "hot tracks," continuing, "Sons of Fathers puts on an
impressive live show but the album is even better." Dates are planned
opening for Alison Krauss and Dwight Yoakam.
While 'Sons of Fathers'
earned comparisons to The Avett Brothers (by CMT.com and AOL Music), Dawes
(Baeble Music), and Ray LaMontagne, the new album adds new elements to their
sound on 'Big Diamond Waltz' and in their ferocious live shows: circus-inspired
waltzes and reprises with swirling horns and slide guitar, dark blues, and
spine-tingling folk, all with Sons of Fathers' harmonies which are
"nothing short of moving" (WXPN). Much like the Byrds redefined the
boundaries of Country and The Band did so with rock, Sons of Fathers merge the
two seamlessly and bridge the generations with a new original sound like no
other.
Highlights include "Big
Diamond Waltz," a searching song with an unmatched intensity; the
unrequited lovelorn "To Whom Do You Belong?," the ballad "Lay Me
Down"; the scorching "Burning Days"; and the dark character
study of "You're Gonna Hurt Someone."
The vocal and songwriting
chemistry between Cauthen, grandson of a Texas preacher who taught him to sing
and play, and Beck, son of a prominent Texas upright bassist, has deepened.
They are rooted in Texas music but steeped in the indie-folk scene.
The band has also completed a
Daytrotter session.
Sons of Fathers are Beck
(bass and vocals), Cauthen (acoustic guitar and vocals), Dees Stribling
(drums), Regan Schmidt (guitar, slide guitar), Bryan Mammel (keyboards), and
Tony Browne (guitar).
Tuesday, January 24, 2012
SONS OF FATHERS CEMENT "BREAKOUT" (AUSTIN CHRONICLE) STATUS WITH WORLD CAFÉ NEXT AIRING, DAYTROTTER TAPING, & EMUSIC ONE OF "12 TO WATCH IN 2012"
Sons of Fathers – the band whose harmonies have earned them comparisons to Mumford & Sons and Crosby, Still & Nash with an infusion of Texas grease – are cementing their "breakout" (Austin Chronicle) status with a Next segment on the January 30 airing of NPR's World Café and a February 6 Daytrotter session taping.
They were also named one of "12 to watch in 2012" by eMusic, which called the self-titled debut album "terrific" and "barn-burning," continuing, "nothing can take away the songwriting duo's brotherly harmonies, their band's ruckus-raising live shows, and finely-honed, geographically-inspired tunes."
Aspen, CO's KSPN radio said, "You guys are like Mumford & Sons but with half the members and twice the sound."
The band has been barnstorming radio. KPFT (Houston, TX) has spun seven songs while their hometown KUT has played six. Here are clips live from KPFT and KSPN:
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